如来神掌

五年的追逐化为泡影，随着X档案的关闭，福克斯·穆德（大卫·杜楚尼 David Duchovny 饰）和丹娜·斯科莉（吉莲·安德森 Gillian Anderson 饰）被迫调任处理一些平常的案件。某天，美国得州达拉斯市发生一起爆炸案。虽然穆德和斯科莉极力疏散写字楼内的人群，但爆炸还是夺取了4名无辜者的性命，他们也因此受到上级的指摘。然而事后不久，穆德便得知4名牺牲者早在爆炸之前便已死亡，所谓爆炸案不过是某个神秘部门为了掩盖证据而实施的骗局。该部门据说多年来一直从事外星人的研究，并且他们的研究足以导致人类的毁灭。两名搭档决定彻查此事，但是神秘且难以抗拒的力量无时无刻不在阻挠他们追寻真相的脚步…… 　　本片为同名美剧的第一部剧场版。

海星状的怪物，五头鲨（头部四个头、尾部一个头）入侵了波多黎各海滩，危及一片和平的天堂岛屿。水生物研究所的几个研究员准备活捉五头鲨，结果损失惨重。没办法的情况下，和警察联手，最后彻底炸死五头鲨。

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.