星际特工：千星之城

在一个反乌托邦的末世未来，地球上最后一个人类是由一台机器人抚养长大的。此人与毫无人类互动的孤独作斗争，并质疑神秘的宗教“手册”的教义，而机器人则声称《手册》是无比神圣的。。。

故事设定在公元2050年，BrightSTAR企业发射太空船The Udo。太空船的任务是：用实验性纳米技术将矮行星Ceres地球化，使其气候、温度、生态类似地球环境。The Udo太空船上装有麦克风和许多摄像机，用来纪录太空船上五名人员在这趟深入太空的旅程之中的心理变化。AdaGray博士是一名太空生物专家，也是实验性纳米技术的发明者，与他同行的还有指挥官Phil King、Tom、爱说讽刺话语的Mitch Poe、以及帅气的法国飞行官Evan Durand。Evan虽然已经结婚，但他与AdaGray博士两人对彼此非常有好感。在这趟长达数年的太空旅程中两人的感情就像放入压力锅一样不断加压。而一场意外让太空船内的人员分别被困在数个逃生舱中，彼此仅能用图像沟通，紧张的气氛一触即发。更糟的是，他们自己创造出的科技怪物将危及他们的性命。

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　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.