美丽新世界

今年是2005年。监狱系统由私营部门管理。商业大亨R.D. Crowley创建了一个虚拟现实监狱。在克劳利为他们设计的致命迷宫中，囚犯的身体被锁在了假死状态。克鲁利允许富有的运动员在与囚犯的致命虚拟现实战斗中，参与到价格上。将进入监狱并试图根除虚拟现实技术。他沉迷于虚拟现实女友，沉迷于虚拟现实。威尔被抓住并扔进了克罗利虚拟狩猎的致命时间旅行网。随着他们的生命危在旦夕，威尔和囚犯们必须逃离某些死亡，并摧毁虚拟现实监狱

影片以“末日”作为故事背景，讲述了几位主人公在拯救世界和自我救赎矛盾中的成长，是一部分歧与团结并存，友情与爱情交织的科幻主旋律的电影。

十几岁的达拉斯·爱德华兹和他那些被遗弃的朋友们正在探索南加州一系列神秘、超自然事件背后的意义

共和体制崩塌，银河帝国的阴影笼罩着宇宙文明每一个角落。为了加强对反抗势力的镇压，塔金主义直接催生了一种足以摧毁星球的超级武器——死星的诞生，而物理科学家盖伦·厄索（麦斯·米科尔森 Mads Mikkelsen 饰）正是死星的主要设计者。厄索的女儿琴（菲丽希缇·琼斯 Felicity Jones 饰）在童年时代与父母经历了生离死别，之后她被反抗组织领袖索•格雷拉（福里斯特·惠特克 Forest Whitaker 饰）所抚养长大。成年后琴罪行累累，成为帝国的阶下囚，最终却被反抗组织救出。从格雷拉那里她得知死星的存在，并见证了一个城市的灰飞烟灭。然而义军同盟决然不信死星的存在，万般无奈琴和飞行员卡西安·安多（迭戈·鲁纳 Diego Luna 饰）等人孤身前往收藏着死星设计图的星球，攸关全宇宙命运的战争拉开了序幕……故事根据1977年《星球大战：新希望》片头的一段文字改编。©豆瓣

在应对照顾生病母亲的挑战和日常生活的无休止的折磨时，当无法解释的事件开始展开时，Dee 发现自己陷入了超现实的磨难。Dee 本已脆弱的世界被似乎超出人类理解范围的遭遇所粉碎。为了理解这些奇怪的事件，Dee 必须鼓起他从未意识到自己拥有的勇气，深入探究那些威胁着他和他所爱的人的谜团。以对母亲的爱为指引，Dee 踏上了自我发现和生存的旅程，他必须面对未知，保护他所珍视的人免受无法解释的力量的伤害。

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.