午夜逃亡

童年的一起突发事件，令彼得·帕克（安德鲁·加菲尔德 Andrew Garfield 饰）和父母生离死别。转眼彼得成为一名高中生，他偶然发现父亲的公文包，并从叔父本（马丁·辛 Martin Sheen 饰）处得到线索，于是启程前往奥斯库公司拜访父亲当年的合作伙伴——科特·康纳斯博士（瑞斯·伊凡斯 Rhys Ifans 饰）。在公司内四处寻找线索的彼得意外被蜘蛛咬了一口，回程途中他的身体发生奇异的变化。在康纳斯博士德引导下，彼得不断了解并发掘体内着超乎寻常的能力，喜怒哀乐，各种意想不到的事情迅速向他袭来。直到某日，他便成了影响深远的超级战士蜘蛛侠。

在一个反乌托邦的末世未来，地球上最后一个人类是由一台机器人抚养长大的。此人与毫无人类互动的孤独作斗争，并质疑神秘的宗教“手册”的教义，而机器人则声称《手册》是无比神圣的。。。

一个普通男人的秘密在他的辞职事件中开始显示出端倪。历史教授约翰奥德曼（David Lee Smith饰）说自己身上有一个让大家都匪夷所思的秘密，而为了保守这个秘密他不能在一个地方超过十年。他的朋友们试图去发掘他的故事中的秘密，这一举动让约翰非常生气，而他的朋友却发现约翰的故事是无法被否定也无法查证的，究竟约翰身上有着怎样的秘密？一幕幕碎片联系起来，带给我们一个意料之外的故事高潮。©豆瓣

海星状的怪物，五头鲨（头部四个头、尾部一个头）入侵了波多黎各海滩，危及一片和平的天堂岛屿。水生物研究所的几个研究员准备活捉五头鲨，结果损失惨重。没办法的情况下，和警察联手，最后彻底炸死五头鲨。

在应对照顾生病母亲的挑战和日常生活的无休止的折磨时，当无法解释的事件开始展开时，Dee 发现自己陷入了超现实的磨难。Dee 本已脆弱的世界被似乎超出人类理解范围的遭遇所粉碎。为了理解这些奇怪的事件，Dee 必须鼓起他从未意识到自己拥有的勇气，深入探究那些威胁着他和他所爱的人的谜团。以对母亲的爱为指引，Dee 踏上了自我发现和生存的旅程，他必须面对未知，保护他所珍视的人免受无法解释的力量的伤害。

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.