航时凶间

今年是2005年。监狱系统由私营部门管理。商业大亨R.D. Crowley创建了一个虚拟现实监狱。在克劳利为他们设计的致命迷宫中，囚犯的身体被锁在了假死状态。克鲁利允许富有的运动员在与囚犯的致命虚拟现实战斗中，参与到价格上。将进入监狱并试图根除虚拟现实技术。他沉迷于虚拟现实女友，沉迷于虚拟现实。威尔被抓住并扔进了克罗利虚拟狩猎的致命时间旅行网。随着他们的生命危在旦夕，威尔和囚犯们必须逃离某些死亡，并摧毁虚拟现实监狱

五年的追逐化为泡影，随着X档案的关闭，福克斯·穆德（大卫·杜楚尼 David Duchovny 饰）和丹娜·斯科莉（吉莲·安德森 Gillian Anderson 饰）被迫调任处理一些平常的案件。某天，美国得州达拉斯市发生一起爆炸案。虽然穆德和斯科莉极力疏散写字楼内的人群，但爆炸还是夺取了4名无辜者的性命，他们也因此受到上级的指摘。然而事后不久，穆德便得知4名牺牲者早在爆炸之前便已死亡，所谓爆炸案不过是某个神秘部门为了掩盖证据而实施的骗局。该部门据说多年来一直从事外星人的研究，并且他们的研究足以导致人类的毁灭。两名搭档决定彻查此事，但是神秘且难以抗拒的力量无时无刻不在阻挠他们追寻真相的脚步…… 　　本片为同名美剧的第一部剧场版。

一个普通男人的秘密在他的辞职事件中开始显示出端倪。历史教授约翰奥德曼（David Lee Smith饰）说自己身上有一个让大家都匪夷所思的秘密，而为了保守这个秘密他不能在一个地方超过十年。他的朋友们试图去发掘他的故事中的秘密，这一举动让约翰非常生气，而他的朋友却发现约翰的故事是无法被否定也无法查证的，究竟约翰身上有着怎样的秘密？一幕幕碎片联系起来，带给我们一个意料之外的故事高潮。©豆瓣

影片以“末日”作为故事背景，讲述了几位主人公在拯救世界和自我救赎矛盾中的成长，是一部分歧与团结并存，友情与爱情交织的科幻主旋律的电影。

　　在安迪(David Keith饰)和维姬（Heather Locklear饰）还在上大学的时候，他们为了赚钱参与了一次实验，服用了一种叫做Lot－6的化学品。他们结了婚，现在已经拥有了一个9岁的女儿莎林。莎林有一种特异功能，她可以靠自己的意念点燃东西，这可能要归因于安迪和维姬曾经参与的那次实验，同时，安迪也拥有了某种超能力，可以让人们做他希望人做的事情。那次实验的操作者是一个秘密的政府部门，代号为“商店”，执行人是约瑟夫博士，他开始派人追查两个人的下落，并且派出了一个狙击手，要杀掉两人。而他们没有预料到的是，安迪和维姬拥有的超能力可以帮助他们摆脱追捕，一场大战即将上演。
　　"本片由著名作家斯蒂芬·金的畅销小说改编，Mark L. Lester执导。本片的导演最初选定为约翰·卡朋特。据卡朋特说，Universal制片公司的高层出于票房考虑将其安排去拍摄The Thing (1982)。Martin Sheen仓卒出演，他的剧本是从别的演员那儿临时抓来的。斯蒂芬·琼斯所写的书""Creepshows""上说，David Keith是角色安迪的第十四号候选人。"

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.